Interview: Eric G. Wilson.
Why the pursuit of happiness naturally includes melancholy.
Eighty-four percent of Americans claim to be happy, a statistic that Wake Forest University English professor Eric G. Wilson finds "strange at best, troubling at worst." With a litany of self-help books, pills and plastic surgery to feed Americans' addiction to happiness, he says, "It's now easier than ever before to live a trouble-free life and hide the darkness." In his recent book Against Happiness: In Praise of Melancholy, Wilson—a non-recovering melancholic by choice—praises sorrow as the muse of many writers and songwriters, warning that to rid life of it is to rid life of a vital source of creativity.
You compare the loss of melancholy to other apocalyptic concerns: global warming, rising oceans and nuclear war. What about happiness is life threatening?
Obviously that opening is a bit hyperbolic for rhetorical effect. I will admit that. But it is, at the same time, a kind of expression of real danger. I think that being melancholy is an essential part of being a human being. I think to be a fully expressed human being you must be willing to delve into melancholy as much as into joy. If we try too hard to get rid of that melancholy it's almost like we're settling for a half-life.
Why do you think people are aiming for a constant happy?
That is the question. My suspicion is that American culture has inculcated into most people that to be an American is to be happy. It's in our founding document, isn't it? We have the right to the pursuit of happiness. Many Americans think that America is a blessed nation. This grows out of 19th-century ideas like Manifest Destiny, the idea that America is a nation blessed by God that should spread its principles throughout the world. America is a fairly wealthy nation. America has a lot of military power. America has also kind of cast itself as the moral voice of the world. I think Americans growing up in that milieu tend to think, well, gosh, to be an American is really great, why shouldn't I be happy?
You desire authenticity. But what is authentic?
Authenticity is embracing the fact that we're necessarily duplicitous beings. I think there's a tendency in our culture to use an either/or logic. One is either happy or sad. One is either liberal or conservative. One is either Republican or Democrat. One is either religious or secular. That's the kind of discourse that is used in our public arenas all the time. I think that leads people to jump on one side or the other. There are all sorts of oppositions that organize our being—reason/emotion, joy/sorrow, consciousness/unconsciousness, pessimism/optimism—and it seems to me that when we latch on to one of those polarities, at the expense of the other, that's an inauthentic life. An authentic life is an endless interplay between these oppositions in which one tries to put them in a creative conversation with one another, realizing that the light shines more brightly when compared to darkness and the darkness becomes richer and more interesting when compared to brightness. I'm just trying to call people to return to a balance, to consider that part of human experience that many people seem to be repressing, ignoring or flying from.
Is there always sadness on the road to joy?
Joy is the polar opposite of melancholy. You can't have one without the other. I think we can think about this when we put ourselves in memories of witnessing a birth or a wedding or a funeral, those times when we're so overwrought with emotion that we don't know whether to laugh or to cry. It's exactly those moments when we feel most alive, I would argue. Usually when we feel that way there's this strange mix of joy and sorrow at the same time. I'm trying to suggest ways to live that can cultivate as many minutes like that as possible.
So you're in praise of melancholy. Define melancholy.
It is best defined against depression. Depression is usually a passive state. It's not a creative state. It's a state of lethargy, paralysis, apathy, great pain, and therefore should be treated any way possible. Melancholy, in contrast, as I define it, and I'm drawing this definition out of a long philosophical and literary history of the term, is a very active state. When we're melancholy, we feel uneasy in relation to the way things are, the status quo, the conventions of our society. We yearn for a deeper, richer relationship to the world, and in yearning for that, we're forced to explore potentialities in ourselves that we would not have explored if we were simply content. We come up with new ways of seeing the world and new ways of being in the world. For this reason, I conclude that melancholy often fosters creativity.
I think I'm a cynical person. In my mind a cynic is someone who is suspicious, a little willing to question what most people believe. In questioning things, often I do find that there's a big gap between reality and appearance. I'm really trying to explore what a rich, deep, profound life would be, and, for me, to go through life expecting and wanting only happiness is not the way to achieve that. To me, cynicism falls in between optimism and pessimism. It's a golden mean.
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